A
n n e
W a l d m a n : K e e p i
n g T h e W o r l d S a f e F o r
P o e t r y
N
a p a l m H e a l t h S p a : R e p o r t 2 0 1 5 :
S p e c i a l E d i t i
o n
BILL BERKSON & ANNE WALDMAN
Cover of Young
Manhattan, signed, by the authors.
from
Young Manhattan by Bill Berkson and Anne Waldman
I’m
walking around
Pigeons all along the cement diameter
of the Central Park Reservoir & motorcycle with Tommy all
night he
kissed my breasts Saturday after Saturday of hotdogs & ice skates
I’m
in red & white & the smell of the white shoe polish lingering
around the park a lot the first time a girl stuck her tongue in my
mouth I thought it was a fish “Smells like fish!”
Winter in glorious
snow in delicious snow I’ll even eat it I’ll lie down in it I’ll
watch it
fall on branches each holding it different holding snow holding
on to
these magic moments on an American Flyer sled
on the bumpy hill
east of Cleopatra’s Needle
Pets:
there was Boots who dies but
before him another beagle my brother hallucinated for two days
after distemper the world through the eyes of
an animal what are
you doing here?
I’m walking the dog slush on the curb let him run
run with him he
can shake hands then Winslow & the cat who died
of poisoning when Boots did sick neighbors sneaking arsenic in
paper bags (“Rear Window”?) into the yard
touch of evil & death
brown & black
My father had lived in Rome &
spoke happy Italian
with the waiters. “The daffodils that entertain at Angelo’s
&
Maxi’s…”
Pen & Pencil
21 The Palm The Red Devil The Colony
Dempsey’s We
had the mafia on one side & pizza on the other we
had a bakery across the way & all my friends had Italian
names:
Esposito,
Benetti, Nunziatto, DiBella, across the street, down the
block, right here, the shape of Manhattan I
think we’re in Italy
Of
movies I liked American in Paris dance & romance & song I liked to
be in a modern place with paintings & a smooth dancing
man We
went to the Red Devil between Sunday movies — two, sometimes
three of them. In my first movie, To the Ends of the Earth, Dick
Powell
of the US Treasury Department tracks the world-wide
opium
trade, Yma Sumac
chanting high over the (Turkish?) poppy fields…
My
parents checked the newspaper to see where “thrillers” were
playing, but mostly I liked swordplay (The Spanish Main) &
westerns (She
Wore a Yellow Ribbon) or anything with Errol Flynn
anytime at The Strand The Rialto Roxy Trans Lux The Capitol
Loews
State Paramount Criterion Loews 72nd (stars on the ceiling)
RKO
86th Radio City Music Hall and the first TV shows like
Phil
Silvers
(before Milton Berle) (and funnier) on the Texaco Hour Sid
Caesar
& Imogene Coca I went in a kilt is it possible to remember
the pin fastening?
Pony tail I learned to do it myself and I learned to
get around & I learned there was a ferry hanging out in the
Fort
Tryon
Park I
study geography I study my body I think I’m
expanding I think I’m stretching feet grow I
learned to get a fast
headlock and hold it so nobody could get a punch
in I learned the
Magna
Carta
“hic hæc hoc/hujus hujus hujus” Kon Tiki “When I
consider how my light is spent” handball
stickball stoopball
waterbomb My heroes were Doak
Walker George Mikan Allie
Reynolds
Johnny Mize Stan “The Man” Musial I played left field I
talked only to God I thought about Jesus Christ I thought about the
Devil and
I learned what nice company girls could be. Who do you
think you were, Joan of Arc? I heard The Five Keys sing “Lin Ting
Tong”
and Jo Stafford “You Belong to Me”
I like it here won’t go
too far won’t have to work too hard “You’re too charming to
work—
you should be a gigolo” says Clara Petacci
Mussolini’s mistress to
my dada, all
the faces and the names of faces: Bugs, Cheever and
Andrea,
Jinx and Tex, Louella, Cobby,
Lucky Luciano, Aunt Fanny,
Aunt
Grace, Aunt Louise, Aunt Ruth with her displays of fairies on
the lawn at Christmas all gossamer & painted & very
elegant
Maxfield Parrish like I was thinking Victorian
too I was reading
poetry plenty not me I didn’t know any
better I liked Classic Comic
of The Gold Bug and
staring
[Anne and I wrote Young Manhattan in a hot flurry in 1974; then Anne
and Brad O’Sullivan had
the bright idea of publishing it 25 years later as a Smokeproof
Press/Erudite Fangs chapbook
(1999) with a cover by George Schneeman.
––B.B.]