N a p a l m H e a l t h S p a : R e p o r t 2 0 1 3 : S p e c i
a l E d i
t i o n
L o n g P o e m M a s t e r p i e c e s
o f t h e P o s t b e a t s
SARAH JEANNE PETERS
Incubation
Ritual
vex yr persuasion, wreck and snuff out
with savage prints of camouflage
with fuck and fury and falseness
gutshot with
sea-anemone bullet holes
sinister name cuts through
scar across aching ventricle
names common as coelacanths
trip wire to ordinary darkness
swallows won’t follow
though yr trek stirs
a world thick with gnats
rank with electrical fires
come on man the instant of death
is drown in my dress
Sun eclipsed by the vinyl upholstery of back
seats
and all of my gestures are locked behind the bars
of yr regard
I am freezing now the furnace of yr voice has
gone cold
my foil, his fin appearing reluctantly beneath my raging fist-shaped waves
commandeers sentient energy of navies resurrected by my
lasers’ fine aim
yr swagger-like fire of ecstasy damped by its own
prurient glamour
& appetite for angel
consorts, heavens habituate to yr quotidian gravity
& left
the danger, lost noise solved and resolved
erased by smoke and conniving
my graceless hand in yr sinister one
rich blood turbocharged with gas-station energy
drink
that pumps through veins
with no help of a heart
Avalon can’t help, either but turns to
serrated blade
renders thee entranced
& left
complete with abyss & leads you
to my apparition cased by spies with uncommon faces
like the velvet lure of a bird’s reflection
never letting go of regret or revelation of child visionaries
half-mourned before dead
& left
no grudge against ancient clocks as metal sainted falcons push against
rusted locks like you vain as gold
dug angels from yr future mansions, lord of zigzag angles, a tourist at
cemeteries
tarnishing the mourning not honorable of character or purpose
a narrow ray of light if cloudless at Newgrange
becoming once a year
dispensation brings
forth a rareness of penitents
tears away flesh
of my flesh
gentle retro-cognition
on my serene mind
the imposition of yr manic one
I resemble yr voice now as it says eternity or sacrament
yr voice makes monsters that exact justice with flames & blocks roads riven to stop time
I drape the desert to cover myself & comb yr nocturnal lyrics
through mass of my tangled mane
I pretend water is yr disciple & sleep in flowering seaweed of yr murky thoughts
salt of the sea dissolves yr
soldier’s shoulders beneath my
folded hands
& left
waves velocity equal to the volume
of stars
elegant as a noose, beasts as common as long trains fall from wedding dresses
grow and twist like alligator gars
jealous lionesses who never say quite what they mean compose music out of
seizures
& electro-convulsive
therapy
cicadas’ incessant shrill I prefer to ride the
cracked sidewalk to the hydrogen-igniting airships of yr curiously short death
& left
bride of folie
a deux past waiting out the silent trouble
& left
a man demented, beat with fists broke down in
front of menhood set to avenge death of yr own word (Morant missed burial by an hour)
just 18 minutes for you, armed
with venality flanked by irregulars, borders’ son carelessly reveals acumen
for cant
& left
monography and
sulfurous smoke from burnt stockings that paved the way
below heaven
ignite the paper flowers with burnt
out luminescence
& left
millions of busted shells returned to
my unconsecrated planet
ground, unrecognizable, spoiled to
have each grain
subordinate in the
serial of each precise occasion
never yr theory the severed range
becomes precise
restrained behind his firing line quartered
by an hour, submerged
never at home in his sands
& left
on the particular hour of a certain night a bullet in the chamber of my finesse
rooms meant for you were obscure, inviolate
previously lodged in the fascination of bone capturing my breath
in the chutes and ladders of my net-like stockings
remake me one day lux as mink.
Sarah Jeanne Peters is a poet, teacher, and
behavioral therapist. Her publications include the chapbook Curses and other love poems. Find her
poems in Abandon Automobile: Anthology of
Detroit City Poetry, Poems from Penny Lane, Watching the Wheels: A Black Bird, Lyre
Lyre, and The
International Worker. She has taught American and British literature since
1993.