N a p a l m H e a l t h S p a : R e p o r t 2 0 1 3 : S p e c i
a l E d i
t i o n
L
o n g P o e m M a s t
e r p i e c e s o f
t h e P o s t b e a t
s
FINVOLA DRURY
Now, Children, Let Us All Rise And Sing The State Song
But first let me tell you about the snapdragons
the pink ruby yellow and white ones
in the tall footed glass my grandmother
used for celery
it’s on the old secretary
we shouldn’t have cut down
so that it could no longer hold
The World’s Hundred Greatest Detective Stories
in their bright red bindings
I got through all of one vacation
sitting in the brown velvet chair with the ottoman
my aunt gave my uncle for his birthday
in Bay Village
right on the lake outside of Cleveland
just down the road
from where that summer a man told the police
a bushy-haired intruder
had gotten into the house and murdered
his wife
and they searched and searched for a person
fitting that description
but they never found one and my uncle
was sure they never would
because the man had killed his wife himself
but the jury would not
recommend the death penalty he said
later during the trial
because they would deliver the verdict
on Christmas Eve
and no jury ever did that to a man
on Christmas
his father whose photograph
stood on the table next to the velvet chair
had witnessed an execution once
in some official capacity
and afterward had thrown up
he was a rock-ribbed Republican
my aunt said
so I wondered a lot about that
because
somebody was always
getting the chair in Ohio
and if it happened as it usually did
at night
my mother would sit on the couch
across from the radio
near the wall where she had put
a picture
of Mary Magdalene bared to the waist
and kneeling
with her long hair hanging down
and when time ran out and the Governor’s call
didn’t come
she’d always say
some poor mother’s heart is broken tonight
hers was anyway
it got to be part of our evening programs
after Jack Armstrong and The Lone Ranger
and Little Orphan Annie
we stayed tuned in for the execution
we knew by heart what would happen
the condemned man ate a hearty dinner
the priest administered the last rites
there was the long walk to the green door
and then
the strapping in
Columbus
was the Capitol of punishment
and as all those men went so my brother might
come under a bad influence
and end up like Jimmy Cagney instead of Pat O’Brien
in the movies every Saturday
because we were poor and Irish
and hadn’t she seen him
behind the window of the pool hall on Main Street
chalking up a cue tip
as cool as a cucumber a cigarette
dangling from between his lips
and he was there with her in the stands
the night
the Mangan girls and I
and hundreds of others
danced under the lights
in the huge stadium
and the Governor rode around and around waving
his hat
from the back seat of an open car
while the band played Beautiful Ohio
and my mother had told me earlier
fixing my hair in the bedroom
she hated him
the tree surgeon
and we stood in a ring and waved back
in our pink ruby yellow and white
dresses.
[“Now, Children,
Let Us All Rise And Sing The State Song” was originally published in Napalm Health Spa: Report 1999 (http://www.poetspath.com/napalm/nhs99/toc.html).
Reprinted by permission of the author.]
Finvola Drury (b. 1927) earned a
B.A. from Empire State College and an M.A. from the State University of New
York at Buffalo. Her first teaching was done as a lecturer at the Toledo Museum
of Art in the forties. Subsequently she has taught Creative Writing at the
University College of the University of Chicago, Rochester Institute of
Technology, and at Writers & Books (Rochester, N.Y.) where she served on
the Board of Directors and mentored several generation of poets. During the
sixties, she chaired Wayne State University's Miles Modern Poetry Committee. Her Elegy on the Death of Joric Ross was published by the Multifarious Press
in 1983. Drury’s collection of poetry, Burning
the Snow was published in 1990. Her
prose works include essays and journals, and an anthology of her writings is
forthcoming. She now lives in Maine